Thursday, September 19 at the Chemung Valley History Museum (7:00 p.m.)
“The Clemenses, The Cranes, and The Household Art Movement”
Walter G. Ritchie, Jr., Independent Scholar
The Clemenses and the Cranes followed the tenets of the Household Art Movement popular in the late 19th century. Ritchie, Jr. will talk about parallels between the interiors of the Mark Twain House in Hartford, Connecticut, and that of Quarry Farm, the residence of Susan and Theodore Crane in Elmira, to illustrate the interchange between the two families of design reform principles.
Walter G. Ritchie, Jr., is an independent decorative arts scholar and architectural historian specializing in nineteenth-century American domestic architecture, interiors, and furniture.
Wednesday, October 9 in the Barn at Quarry Farm (7 p.m.)
“Mark Twain Invades Washington”
Alan Pell Crawford, Independent Scholar
“I believe the Prince of Darkness could start a branch of hell in the District of Columbia (if he has not already done it)” Mark Twain, Letter to Virginia City Territorial Enterprise, March 7, 1868
Before he was a famous novelist, Mark Twain lived and worked in the Nation’s Capital, first as an aide to Senator William Stewart of Nevada—he was quickly fired—then as a lobbyist and Washington correspondent. These early experiences gave Twain a unique perspective on American politics, and in later years he became a fierce critic of war and imperialism. Having had his profits as an author reduced by pirated editions of his works, he returned to Washington late in life to testify before Congress for copyright protection for authors. People still read his trenchant writings on politics, with good reason. They still speak to us. “Fleas can be taught nearly anything that a Congressman can,” Twain wrote in What is Man? and Other Essays. In Mark Twain, A Biography he is quoted as saying “Suppose you were an idiot. And suppose you were a member of Congress. But I repeat myself.” What would he say today?
Alan Pell Crawford is the author, most recently, of How Not to Get Rich: The Financial Misadventures of Mark Twain, published in 2018. His previous books include Unwise Passions: The True Story of a Remarkable Woman and the First Great Scandal of Eighteenth-Century America and Twilight at Monticello: The Final Years of Thomas Jefferson. A former Senate and House staffer, Alan has been a residential scholar at the international Center for Jefferson Studies at Monticello and George Washington’s Mount Vernon. He has written for the Wall Street Journal for 25 years and been published in the New York Times, the Washington Post, National Review, the Weekly Standard and Vogue. He lives in Richmond, Virginia.
Wednesday, October 16 in Cowles Hall on the Elmira College Campus (7:00 p.m.)
“‘He ain’t a-comin’ back no mo’: Huck Finn as an American Myth”
Tim DeRoche, Redtail Press
The Adventures of Huckleberry Finn is a rousing adventure, a realistic depiction of American boyhood, a satirical critique of American society, and a foundational text for all of modern American literature. But part of what makes the story so transcendent and enduring is that Huck Finn is also a myth. In this story of two fugitives fleeing down a river, Mark Twain taps into universal themes and tropes that recur in fairy tales, folklore, and religious narratives. That’s one reason that American writers and filmmakers have been retelling this story – both overtly and covertly – for the last 100 years. Seeing Huck Finn through the lens of Joseph Campbell’s universal “hero’s journey” helps reveal why the book has been so important in the formation of the American psyche but also why the ending can feel so unsatisfying. As the prototype for a particular American myth, Huck Finn will be retold over and over as long as our society persists – perhaps even longer.
Tim DeRoche is the author of The Ballad of Huck & Miguel, a modern-day retelling of Huck Finn set on the Los Angeles River. Featured on CBS Sunday Morning in May of 2019, the book has been called “satirical, funny, thrilling, hopeful, and human” by the Mark Twain Forum. Born and raised in Milwaukee, Tim DeRoche emigrated to California to attend Pomona College, where he studied English literature. A graduate of the PBS Producers Academy at WGBH in Boston, he also holds a certificate in feature-film screenwriting from UCLA. He served as executive producer and writer of the children’s science series Grandpa’s Garage, produced by Turner Learning for Georgia Public Television. Tim has written for the Washington Post, Education Week, School Administrator, and the Los Angeles Business Journal. His new nonfiction book Separated By Law will be published in 2020 and takes a close look at the policies and laws that assign American children to schools based on where they live.
Wednesday, October 23 in the Barn at Quarry Farm (7:00 p.m.)
“‘We found we had a little cash left over..’: Sam and Livy’s Hartford Dream House and Its Architectural Roots”
Pieter Roos, Mark Twain House and Museum, Hartford, CT.
Just as would be the case today, Sam and Livy Clemens embarked on an adventure in building a new house. Like any young couple, having the dream, selecting an architect, and seeing a project through to the finish is always a challenge. Sam and Livy spent a substantial portion of her inheritance on the house, and their love for it was life-long, even after they left it. At the time of its completion, the Hartford Courant remarked that the house was the newest marvel of Hartford, a city replete with large and expensive works of domestic architecture. Their architect, Edward Tuckerman Potter, designed a house that was undoubtedly stylish and thoroughly contemporary, but while it fell within the general early precepts of the Stick Style, it was not in the mainstream, and still stands out today in its individuality. A few year’s after the initial completion, the Clemens’ engaged Louis Comfort Tiffany and Associated artists to take the interior up to a whole new level. We will look both at the Clemens’ personal journey in construction and the architectural roots of a remarkable and iconic building and what made it the singular example of the Stick Style that it became and remains today.
Pieter Nicholson Roos has served in the museum field since 1984, working all over the Northeast. In 1999 he became the Founding Executive Director of the Newport Restoration Foundation, a preservation and museum organization that administers some 82 historic properties. In 2016 he created the groundbreaking “Keeping History Above Water” conference, the first national discussion of the impact of climate change on historic preservation. Since 2017, Pieter has served as the Executive Director of the Mark Twain House and Museum. During the last two years, programming has doubled, and $2.8 million has been raised to enhance programming and operations and to preserve the campus and the house. Pieter has written and lectured extensively, teaching at both Harvard University and Brown University. In 2017 he was the recipient of the Rhode Island Historical Preservation and Heritage Commission’s Fred Williamson Award for Professional Excellence and the Doris Duke Preservation Award.
Wednesday, October 30 in the Barn at Quarry Farm (7:00 p.m.)
“Sociable Sam: Mark Twain Among Friends”
Judith Yaross Lee, Ohio University
Samuel Clemens joked in one of his lectures that he had met “uncommonplace characters . . . Bunyan, Martin Luther, Milton, and . . . others,” but it’s not stretching much to say that he knew just about everyone famous between the Civil War and World War I. By 1892, his social network had grown so large that eleven-year-old Jean Clemens, impressed that her parents had received a dinner invitation from Germany’s Emperor Wilhelm II, remarked, “Why papa, if it keeps going on like this, pretty soon there won’t be anybody left for you to get acquainted with but God.” Yet sociable Sam Clemens was more than a famous guy who knew other famous folks: from the start of his career as Mark Twain, his writings grew from and through interactions with others. This illustrated lecture traces the impact of that sociability on some of his most important works.
Judith Yaross Lee, Distinguished Professor Emerita at Ohio University (Athens, OH), studies American humor and other popular discourses in interdisciplinary historical contexts. Among the 5 books and 60 articles that she has published are Twain’s Brand: Humor in Contemporary American Culture (2012), showing how Mark Twain pioneered contemporary practices in stand-up comedy and comic brand management, and Garrison Keillor: A Voice of America (1991), the first analysis of this major comic performer and writer. Current projects include Seeing MAD: Essays on Mad Magazine’s History and Legacy from Cover to Fold-In (co-edited with John Bird) and a revised history of American comic rhetoric, American Humor and Matters of Empire, also the theme of a 2020 Quarry Farm Symposium.
Recent Past Lectures
Thursday, September 12 at the Chemung Valley History Museum (7:00 p.m.)
“Mark Twain’s Historical Fiction; or, Why Would A Realist Write So Many Romances?”
Nathaniel Cadle, Florida International University
Despite their ongoing popularity, Mark Twain’s frequent forays into historical fiction have often puzzled literary critics. Dr. Cadle will focus his talk on the “straight” Personal Recollections of Joan of Arc, which Twain knew was so unusual for him that he first published it under a pseudonym.
Nathaniel Cadle is an Assistant Professor of English at Florida International University in Miami, Florida.
Thursday, September 5 at the Chemung Valley History Museum (7:00 p.m.)
“Mark Twain & The Networks of Disunion”
Matt Seybold, Elmira College
“Nature has no originality,” Mark Twain wrote, “Everything which has happened once must happen again and again and again – and not capriciously, but at regular periods.” Elmira College’s Dr. Seybold will examine Twain’s insights into mass media and particularly how those insights resonate with the media revolution of our own time.
Matt Seybold is Assistant Professor of American Literature & Mark Twain Studies at Elmira College. He is the resident scholar at the Center for Mark Twain studies and editor of MarkTwainStudies.org .
Wednesday, August 21 at The Park Church (7:00 p.m.)
“Where the ‘Wild West’ Ends and China Begins: Rethinking the Geography of Mark Twain and Bret Harte’s Ah Sin”
Sunny Yang, University of Houston
In the fall of 1876, Mark Twain and Bret Harte embarked on a disastrous collaboration that would culminate in the frontier melodrama known as Ah Sin. Named after its Chinese laundryman character, who was taken from Harte’s 1870 poem “Plain Language from Truthful James,” the play is widely acknowledged as a literary and financial failure that contributed to the demise of Twain and Harte’s friendship. Yet despite its dubious artistic merit, Ah Sin has captured some critical attention because of the central role played by its titular Chinese character. Scholars have debated the play’s intervention into nineteenth-century American stereotypes about the Chinese and have exclusively interpreted the work in the context of domestic debates over Chinese immigration and legal testimony. This talk takes a different approach by analyzing Ah Sin through the lens of nineteenth-century commentary on Sino-American relations, focusing in particular on the U.S. foreign policy of extraterritoriality in China. Resituating the play in this transnational legal context offers fresh insights into Twain’s anti-imperialism at this moment in his career, while also suggesting new avenues for interpreting representations of Chinese immigrants and Chinese American politics in nineteenth-century American writing.
Sunny Yang is an Assistant Professor of English at the University of Houston, where she specializes in American and multiethnic American literature of the long nineteenth century. Her research explores the imperial contexts of U.S. racial formation and cultural production with an emphasis on the intersections of law and literature. She received her PhD in English with a certificate in Africana Studies from the University of Pennsylvania and is currently completing her first book project, Fictions of Territoriality, with the support of fellowships from the American Council of Learned Societies and the American Association of University Women.
Wednesday, August 14 at The Park Church (7:00 p.m.)
“The Dread of Filth in Twain: Cultures of Mysophobia in Post-Pasteurian Medicine and 3,000 Years among the Microbes”
Don James McLaughlin, University of Tulsa
This talk examines Mark Twain’s unfinished manuscript 3,000 Years among the Microbes, written in Dublin, New Hampshire in 1905. More precisely, I provide a historical backdrop for the manuscript by putting it in dialogue with two major shifts in medical thought at the end of the nineteenth century: (1) the rise of microbiology, introducing a new discourse for articulating the relationship of bacteria and viruses to infectious disease, established largely by Louis Pasteur’s successes in vaccination; and (2) the emergence of an international psychiatric discourse revolving around mysophobia, meaning a dread of filth and contamination. Written from the perspective of a cholera germ named Huck who has infected a tramp named Blitzowski, 3,000 Years meditates on both discourses, exploring microbiology’s ramifications for human understandings of life, agency, and subjectivity, while also pursuing a mysophobic aesthetic: a state of readerly repugnance generated by the landscape of infection and bodily functions Huck and his microbe friends inhabit. I use 3,000 Years to argue that we cannot understand the rise of mysophobia (as either a diagnosis or an aesthetic) without also understanding its historical relationship to the landscape of invisible infectious agents introduced to human consciousness through the birth of microbiology as a science.
Don James McLaughlin is assistant professor of nineteenth-century American literature at the University of Tulsa and the 2018-2019 Hench post-dissertation fellow at the American Antiquarian Society. His work has been published in American Literature and the New Republic and is forthcoming in Literature and Medicine and J19: The Journal of Nineteenth-Century Americanists.
Wednesday, August 7 at The Park Church (7:00 p.m.)
“’Views of Mark Twain’: Antics and Annexation in Twain’s New York Tribune Letters on Hawai’i”
Todd Nathan Thompson, Indiana University of Pennsylvania
The December 1872 death of Hawaiian monarch Kamehameha V spurred renewed interest among US citizens and politicians alike in the annexation of the Hawaiian islands. To satisfy the public’s increased curiosity about Hawai’i, in January 1873 the New York Daily Tribune sought testimony in the form of two letters from a well-known expert on the islands: Mark Twain. Twain had gained nationwide fame based on his correspondence from the Hawai’i to the Sacramento Union in 1866 and especially from his popular comic lecture, often titled “Or Fellow Savages of the Sandwich Islands,” which he delivered across the US and abroad between 1866-1873. In my talk I will examine how Twain’s humorous writings and lectures about Hawai’i led American editors and readers to view him as a serious authority on the islands. I will also perform contextualized readings of reprinted excerpts of his letters to the Tribune in other newspapers and magazines and consider what these editorial choices reveal about the American reading public’s views of Twain and of Hawai’i in the early 1870s.
Todd Nathan Thompson is Professor of English at Indiana University of Pennsylvania. He is also Treasurer-Secretary of the American Humor Studies Association. Todd is author of The National Joker: Abraham Lincoln and the Politics of Satire (Southern Illinois University Press, 2015). His work on political satire and pre-1900 American literature has also appeared in Scholarly Editing, Early American Literature, ESQ, Nineteenth-Century Prose, Journal of American Culture, Teaching American Literature, and elsewhere. He currently is at work on a book project entitled Savage Laughter: Nineteenth-Century American Humor and the Pacific, 1840-1880.
Wednesday, May 29 in the Barn at Quarry Farm ***Two Events***
5:30 p.m. Theatrical Reading of Waiting For Susy
A one-act play by Bruce Michelson, University of Illinois
Waiting for Susy is a one-act comedy about a famous, momentous, historic encounter that never took place. The setting is the great square in front of Rouen Cathedral in France; the time is October of 1894. Sam Clemens and his daughter Susy, living with the rest of the family in nearby Étretat, have come to town shopping for night-gowns and cigars. With brushes and an easel, and parked comfortably on a stool in this plaza, a strange, round, bearded French gentleman is dabbing at a couple of his paintings. What happens next is entirely made up, and you can safely believe every word of it. (“Susy Clemens” photo courtesy of the Mark Twain House and Museum)
Bruce Michelson, University of Illinois
When Sam Clemens was still young, a technological revolution in publishing — including breakthroughs in printing of pictures — provided new ways to fuel and gratify an unprecedented curiosity about the private lives of famous writers, and doing so became a lucrative sport. Where they were born and where they resided; the byways they wandered for epiphanies or Deep Thoughts; where their spouses or their Lost Loves grew up or passed away – all of this and more became fair game for mass-market words and pictures. Over the course of Mark Twain’s life we can trace this cultural transformation, and see how Quarry Farm, the Hartford mansion, and other residences here and abroad figured in a long campaign by Sam and his family to live in this new limelight, and also to evade it. The Clemenses performed a “private” family life in some places, and tried to sustain the real thing in others — in an era before television, social media, paparazzi, data mining, and all the rest of it brought American personal privacy to an end.
Bruce Michelson is the author of Mark Twain on the Loose and Printer’s Devil: Mark Twain and the American Publishing Revolution, as well as many articles and book chapters about Mark Twain and other writers. He is Professor Emeritus of American Literature at the University of Illinois, and a past president of the Mark Twain Circle of America and The American Humor Studies Association. A Contributing Editor at Studies in American Humor, he is also a Fulbright Ambassador, having received two fellowships from the Fulbright Program. His most recent work includes a translation of George Clemenceau’s writings on Claude Monet and the fine arts, and a one-act comedy about Sam Clemens, his daughter Susy, and a Mysterious Stranger in France
Wednesday, May 22 in Cowles Hall on the Elmira College Campus
Quarry Farm: Family Retreat with 1,631 Lightning Rods”
Elise Johnson-Schmidt, AIA, Preservation Architect
In May 1869, Jervis Langdon purchases the land on Elmira’s east hill. It is there that he establishes the Langdon’s summer home, Quarry Farm – a place of respite which the family enjoys for 100 years. Sadly, Langdon dies shortly after its completion, but his oldest daughter, Susan Crane, inherits the house. She generously and joyously shares Quarry Farm with her sister, Olivia Clemens, Livy’s new husband, Samuel Clemens, and the Clemens children for the next twenty years. Sam and Livy embark on their “long European sojourn” in 1890 and do not return until 1895. During a time of transition, before Susan and Theodore Crane begin their chapter of life at Quarry Farm, Sam Clemens is “running two households – one up here on the farm & one in Buffalo…and Mr. and Mrs. Crane stay here with us, & we do have perfectly royal good times.” This lecture will focus on how Quarry Farm was used by the family and changes made to the house by Langdon family members. It will also discuss the lecturer’s interpretation of a story written during Clemens’ management of the farm – “The Lightning Rod Story” – a satire about dealing with contractors – which could be as true today as it was then.
Elise Johnson-Schmidt is a preservation architect with 35 years of experience, whose firm specializes in historic preservation. Her firm has undertaken over 200 revitalization and restoration projects. She was also formerly the Director of Market Street Restoration Agency. She previously worked on the restoration of Grand Central Terminal in NYC & Boston’s Trinity Church. She is a frequent lecturer across NYS on revitalizing historic buildings, and a (former) longtime member of NYS’s Board for Historic Preservation. Her firm is currently writing the Historic Structure Report for Quarry Farm.
Wednesday, May 15 in Cowles Hall on the Elmira College Campus
J. Mark Baggett, Samford University
Told by the New Orleans fortune teller Madame Caprell that he should have been a lawyer, Samuel Clemens dismissed the law as “too prosy and tiresome.” But his immersion in legal language and legal fictions betrayed him. From the early days of his career, covering the Nevada Territorial legislature and reporting on the police and court beat in the Territorial Enterprise, he plied what he called the “trade language” of the law. His legal burlesques of that formative period, including the first use of the pseudonym “Mark Twain” in “Ye Sentimental Law Student,” show the emerging burlesque patterns that appear in his novels. These burlesques also parallel important 19th century movements in American law that democratized and simplified legalese. This lecture will explore these burlesques from a legal perspective and trace their influence, particularly in the dramatic stagings of court trials that appear so often in his longer works. Twain himself once pronounced that a great writer must have an “infinitely divided stardust,” a genius who understood humanity from the two essential disciplines: literature and the law.
Mark Baggett is Associate Professor of English and Law, Samford University and Cumberland School of Law. His recent research on Twain’s use of legal rhetoric is an outgrowth of his teaching law at Cumberland since 1987. He contributed articles on legal issues in the Mark Twain Encyclopedia and is working on a book-length project on Mark Twain and the law, building on interdisciplinary research on Twain’s broad appropriation of legal rhetoric.
Wednesday, May 8 in The Barn at Quarry Farm 7 p.m.
Linda Morris, University of California, Davis
After a relatively free-wheeling period in his life in the American West, Mark Twain courted and married a genteel young women from a prominent Elmira family, and he became the paterfamilias of a thoroughly Victorian family of his own. His major published works were deemed suitable reading for young men and women alike, and he raised his three daughters in a strictly Victorian, protected, and proper mode. Nevertheless, when speaking before all-male groups, or writing privately, he addressed sexual topics with frankness suffused with humor. Later in his life, in work not intended for publication, he let loose with explicit sexual references and frank talk about both male and female sexuality. This talk will examine a range of the works in which sexuality plays a major role, the language and metaphors he used to express sexual topics, and the sometimes surprising attitudes the work reveals.
Linda A. Morris is Professor Emeritus, University of California, Davis. She has writ- ten extensively about women’s humor in 19th and 20th century America, including a book-length study on the writer Miriam Whitcher (“The Widow Bedott”), and essays on Mary Lasswell and Roz Chast. Her work on Mark Twain includes her book Gender Play in Mark Twain: Cross-Dressing and Transgression, and essays on Personal Recollections of Joan of Arc, “Gender Bending as Child’s Play,” Aunt Sally Phelps in Adventures of Huckleberry Finn, and “Hellfire Hotchkiss.” She was the 2017 recipient of “The Olivia Langdon Clemens Award” by the Mark Twain Circle of America, and the 2018 recipient of “The Charlie Award” by the American Humor Studies Association.
The “Trouble Begins” Lecture Series is sponsored by the Michael J. Kiskis Memorial Fund. The sole purpose of this fund is to support scholars and scholarship at Quarry Farm. If you are interested in contributing to this fund, please contact Dr. Joseph Lemak at [email protected].
The “Trouble Begins” and the “Summer at Park Church” Lecture Series are also made possible by the support of the Mark Twain Foundation and the Friends of the Center.
In 1985, the Elmira College Center for Mark Twain Studies inaugurated The Trouble Begins at Eight lecture series. The title comes from a handbill advertising Mark Twain’s October 2, 1866 lecture presented at Maguire’s Academy of Music in San Francisco.
The lectures are now held in the Fall and Spring of each year, in the Barn at Quarry Farm or at Peterson Chapel in Cowles Hall on Elmira College’s campus. In the Summer of each year, the lectures are held at the Park Church. All lectures are free and open to the public.
The Barn at Quarry Farm
The Barn at Quarry Farm has been repurposed as a lecture venue. This was made possible from a generous preservation grant from the Jon Ben Snow Memorial Trust.
Attendees can park on Crane Road or on the grassy area behind the Barn. Quarry Farm is a fragile, natural environment. Please exercise care. If using a GPS, enter 131 Crane Road, Elmira, New York
Peterson Chapel in Cowles Hall
Elmira College Campus
Lectures may also be held in Peterson Chapel in Elmira College’s Cowles Hall. The chapel features a series of stained glass windows depicted the history and traditions of the college, including one of Twain in front of his study and one of his wife, Elmira College alumnus Olivia Clemens, on front of the porch at Quarry Farm. There is also a Mark Twain Exhibit in Cowles Hall.
The address of Elmira College is 1 Park Place, Elmira, NY 14901. Cowles Hall is on the east side of Park Place, behind the Fasset Commons Art building on Washington Avenue. In front of Cowles Hall is a small man-made pond known as “The Puddle” and the Mark Twain Study. Public parking may be found off of North Main Street, at the north east corner of campus.
The Park Church
Founded in 1846 by a group of abolitionists, including Jervis Langdon, Mark Twain’s father-in-law, The Park Church has been a strong presence in Elmira’s history. Some of its congregation were close friends and family members to Mark Twain, including Susan Crane, who donated flowers from Quarry Farm every Sunday. Known for its striking architectural features, The Park Church contained Elmira’s first public library and has a long history of charitable service to the Elmira community. Thomas K. Beecher, brother to Harriet Beecher Stowe and friend of Mark Twain, was the first minister at the Park Church and presided over its construction. Before its demolition in 1939, the Langdon Mansion was located directly across from the Park Church.
The Park Church is located at 208 West Grey Street, Elmira, New York.