Thursday, August 16 at the Chemung Valley History Museum 7pm
“Through the Lens of the Langdons: Capturing Elmira, 1889-1891” Nathaniel Ball, Elmira College
George Eastman’s invention of the Kodak Series 540 in 1888, whose slogan simply stated, “you push a button, we do the rest,” made representational family photography possible. The Langdon family as early adopters of this new technology, captured images that enrich the portrayal of Mark Twain’s Elmira – depicting the social life, landmarks, and activities central to the family experience – at a time when innovation had moved photography beyond the professional setting, allowing for an intimate vision to be achieved. This presentation will explore the historic significance of these never before seen photographs and how they fit into the narrative of Samuel Clemens’s life.
Nathaniel Ball, a native of nearby Campbell, New York, returned to the Southern Tier as sole archivist for the voluminous Twain-related collections housed in the Mark Twain Archive on the Elmira College campus, as well as the Special Collections Librarian at Gannett-Tripp Library and the curator of Elmira College’s extensive art collection. Nathaniel joined the faculty in July 2015 after working for Truman State University and the Adirondack Museum. He holds a Masters degree in Library & Information Science from Kent State University.
Thursday, August 23 at the Chemung Valley History Museum 7pm
“Never Be in a Hurry to Believe”: How Joe Twichell’s Visits to Elmira and Cornell May Have Saved Huck Finn’s Soul” Dwayne Eutsey, Independent Scholar
Mark Twain’s Adventures of Huckleberry Finn is known for its biting skepticism toward religion.
However, there is also a deeper and more complex religious undercurrent coursing through Twain’s classic that is often overlooked or misunderstood by contemporary readers. Dwayne Eutsey will explore how the “conservative-progressive” theology of Twain’s good friend and pastor, Joe Twichell, may have influenced these depths with visits to Elmira’s historic Park Church and Cornell’s Sage Chapel in 1876 as Twain was beginning to write his masterpiece.
Dwayne Eutsey is an independent scholar in Mark Twain studies who is writing a book that examines the significant influence of religious liberalism on Mark Twain’s life and writing. Entitled “There is No Humor in Heaven”: Mark Twain and the Religious Liberalism that Shaped His Life, the book will contribute to the ongoing discussion among scholars and the public regarding Twain’s complicated views on religion.
Fall 2018 Trouble Begins Lectures
Wednesday, October 10 in The Barn at Quarry Farm 7 p.m.
“Getting to Know Mark Twain through the Eyes of Grace King, a Southern Woman of Letters” Miki Pfeffer, Nicholls State University
New Orleans writer, Grace King, enjoyed a two-decade friendship with Sam and Livy Clemens and their daughters, Susy, Clara, and Jean. King visited the family in Hartford in 1887 and 1888 and in Florence in 1892. She wrote to her family about the Twain homes, meals, dress, and habits. From New Orleans, she exchanged letters with each Clemens, especially Livy, with whom she became a confidante. As each family member died, she kept in touch with the living, right through Clara’s brief messages around 1918. Miki Pfeffer will read from some of King’s captivating letters that offer a fresh view of the Clemenses and of Mark Twain as loving homebody, father, and generous friend to this ambitious southern woman.
Miki Pfeffer holds a Master’s Degree in English Literature and a Ph.D. in Urban History from the University of New Orleans. She is a visiting scholar at Nicholls State University in Thibodaux. Louisiana. Her book, Southern Ladies and Suffragists: Julia Ward Howe and Women’s Rights at the 1884 New Orleans World’s Fair, was awarded the 2015 Eudora Welty Prize for scholarship in Women’s Studies and Southern Studies from the Mississippi University for Women.Her current mission is to see Grace King’s letters published and appreciated, and she offers the collection of the family of Twain in a book to be published in 2019.
Wednesday, October 17 in Cowles Hall on the Elmira College Campus 7p.m.
“Mark Twain, TV Star” David Bianculli, Rowan University and NPR’s Fresh Air with Terry Gross
The real Mark Twain, Samuel L. Clemens, appeared in only one film in his lifetime, shortly before his death: a short silent movie of him walking around his Stormfield home, photographed by Thomas Edison’s Edison film company in 1909. But since then, Mark Twain has been on television dozens of times – immortalized, and impersonated, by a frankly startling array of actors on the small screen. The
best of them, Hal Holbrook in his one-man show Mark Twain Tonight!, you know, and should. But the rest of them? Other actors portraying Mark Twain, in various programs over the 70-year-history of television, have ranged from Jimmy Stewart and Bing Crosby to Woody Harrelson and William Shatner. The character and image of Mark Twain have been kept alive by shows ranging from Bonanza and The Rifleman to Touched by an Angel and Star Trek: The Next Generation. David Bianculli will discuss and show clips from all these and more.
David Bianculli has been the TV critic for National Public Radio’s Fresh Air with Terry Gross, where he also appears as occasional guest host, since 1987. Beginning in 1975, he’s worked as a TV critic for newspapers in Florida, Ohio, Pennsylvania, and New York, most recently for the New York Daily News from 1993-2007. Currently, he is a full-time professor of TV and film history at Rowan University, and editor of the website TV Worth Watching (www.tvworthwatching.com) which he launched in 2007. Bianculli has written four books – The Platinum Age of Television: From ‘I Love Lucy’ to ‘The Walking Dead,’ How TV Became Terrific; Dangerously Funny: The Uncensored Story of ‘The Smothers Brothers Comedy Hour’; Teleliteracy: Taking Television Seriously; and Dictionary of Teleliteracy – and has written chapters for and co-edited, with Douglas Howard, Television Finales: From ‘Howdy Doody’ to ‘Girls,’ to be published by Syracuse University Press in November. Bianculli has a B. S. in Journalism and an M. A. in Journalism and Communications, both from the University of Florida.
Wednesday, October 24 in the Barn at Quarry Farm 7 p.m.
“Writing from Roots in ‘America’s Hometown’: Flood, a Novel” Melissa Scholes Young, American University
Literature and life often claim you can’t go home again, but what happens if you have to? In this book talk and author reading, Melissa Scholes Young will chronicle how Mark Twain’s own exodus from Hannibal parallels Laura Brooks’, the protagonist of her debut novel, Flood, who like the Mississippi River, once ran in the wrong direction in order to recalibrate. She’ll share her historical research and creative writing process as well as explore whyTwain’s origin in rural America is more relevant than ever.
“Filled with pithy dialogue and cultural references, Scholes Young’s writing ties Laura’s journey of self-discovery squarely to Hannibal and its famous young troublemakers. As Laura reckons with her past, Scholes Young reckons with Twain’s influence on the region. This debut is a wonderful story of home, hope, and the ties that bind us to family.” – Publishers Weekly
Melissa Scholes Young is an associate professor in the Department of Literature at American University in Washington, D.C. and a Bread Loaf Bakeless Camargo Fellow. Her writing has appeared in the Atlantic, Washington Post, Narrative, Ploughshares, and Poets & Writers. She’s a Contributing Editor for Fiction Writers Review and Editor of the anthology Grace in Darkness. Her debut novel, Flood, set in Hannibal, Missouri, the hometown she shares with Mark Twain, was the winner in Literary Fiction for the 2017 Best Book Award.
Wednesday, November 7 in the Barn at Quarry Farm
“‘At the Farm’: Reliving Mark Twain’s 1884 Summer at Quarry Farm” John Bird, Winthrop University
As he did for many summers, Mark Twain packed up his family (including dogs and cats, and in this case, a bicycle) and left Hartford for an extended stay at Elmira’s Quarry Farm. Part of my current work-in-progress, a micro-biography of Twain in the year 1884, my presentation will let audiences relive his and his family’s experience that summer. Even though Twain wrote his friend Joe Twichell near the end of the stay that he had not accomplished anything of value during the summer, he actually had an interesting and productive summer: he read proof of Adventures of Huckleberry Finn and made some important revisions; he began a sequel even before he published his novel, Tom Sawyer and Huck Finn Among the Indians; he became fully engaged in national politics during the presidential campaign; and he sat for the bust Karl Gerhardt made (twice) at Quarry Farm for the frontispiece of Huck Finn. Just as importantly, he engaged with his family, writing a short but charming personal memoir, “At the Farm,” with humorous and heartwarming anecdotes about his daughters. Living with Mark Twain day-by-day for this summer brings him and his family back to life and gives us a window into life at Quarry Farm, a place central to his work and his life.
John Bird is Emeritus Professor of English at Winthrop University. He is the author of Mark Twain and Metaphor, as well as a number of articles on Mark Twain. He is a past president of the Mark Twain Circle of America.
Recent Past Lectures
Thursday, August 9 at the Chemung Valley History Museum 7pm.
“‘Well, ain’t you innocent!’: Mark Twain’s Attack on the American Adam” M.M. Dawley, Boston University
The trope of the innocent, who reveals cultural absurdities through his seemingly foolish observations, dates back to the earliest satires of Rome and Europe. This innocent brims with certainty that his ignorance is both apt and virtuous, and inspires audiences to laugh at his idiocy. I argue that during what was most commonly referred to as the Gilded Age, a clear thread of satire begins to emerge, one that shifts the innocent from the butt of the joke to the one who slyly delivers the punch line. Although the era was imbued with a faith in progress that led to its moniker “the Confident Years,” it was also a period rife with confidence men who utilized the national obsession with innocence to their advantage. With a wink and a nod to the latter, the satirists of the Gilded Age transformed the American innocent from one to be laughed at to one to be laughed with. There is no better example of the satiric approach to the trope of “the American Adam” than Mark Twain’s iconic character Huckleberry Finn—unless it is Twain’s own Adam. I would like to present a fresh reading of Twain’s approach to the American Adam based on the satire presented in some of the author’s last works of fiction, Letters from the Earth and The Diaries of Adam and Eve. The way in which Twain skewers the notion of innocence in his later writing allows for a new lens through which to examine Huck, as well as the writer’s own atheism. Twain toys with America’s naïve exceptional self-image through the persona of a sympathetic Satan, who ridicules Adam and Eve for their innocence and exposes much national self-delusion in the process. While in his earlier fiction, Twain satirized religion more subtly, by the early twentieth century his open mockery of Christianity took clear aim at the American mythos of exceptionalism, and the many ways in which the nation needed to reorder its priorities.
M.M. Dawley has a Ph.D. from the American & New England Studies program at Boston University, and teaches in the Humanities department at Lesley University. Her current book project for Penn State University Press’s series Humor in America focuses on the literary history of satire in the Gilded Age. Her article, “‘You’d Oughter Start a Scrap-Book: Gossip and Aspirational Culture in The House of Mirth and The Custom of the Country,” appears in the Fall 2017 issue of the Edith Wharton Review. M.M. Dawley has also collaborated with Gene Andrew Jarrett on contributing to the African American Studies module of Oxford Bibliographies Online, published by Oxford University Press.
To listen to the lecture, click here.
Wednesday, July 11 at The Park Church
“Mark Twain and The Native Other” Kerry Driscoll, University of St. Joseph
In his 1899 essay “Concerning the Jews,” Twain states: I am quite sure that (bar one) I have no race prejudices, and I think I have no color prejudices nor caste prejudices nor creed prejudices. Indeed, I know it. I can stand any society. All that I care to know is that a man is a human being—that is enough for me; he can’t be any worse.” Although the writer refused to name the one bias he admits to harboring, abundant evidence in his work suggests that the allusion is to Native Americans, whom he referred to in print as “reptiles, “vermin,” and “good, fair, desirable subject[s] for extermination.” This presentation explores the origin and evolution of Twain’s attitudes toward indigenous peoples and probes the reasons underlying his animus.
Kerry Driscoll is Professor of English (emerita) at the University of Saint Joseph in West Hartford, CT. She is the past president of the Mark Twain Circle of America, a member of the editorial board for the Circle’s journal, the Mark Twain Annual, and serves on the Board of Trustees at the Mark Twain House and Museum in Hartford. In addition to numerous essays she has published on Twain’s work, she is the author of Mark Twain among the Indians and Other Indigenous Peoples (University of California Press, 2018), the first book-length study of the author’s conflicted attitudes toward, and representations of, Native Americans.
“’…there is only one thing of real importance…’: The Letters of Olivia Langdon Clemens” Barbara Snedecor, Elmira College
The letters of Olivia Langdon Clemens reveal her deep emotion as well as the more ordinary impulses of her thought. In communications with friends and family, and with her world- famous spouse, Olivia exposes her intelligence, fortitude, gentleness, kindness, humor, love for husband and children—along with her anxieties, self-deprecation, and flaws. Possibly the following statement, written to her husband during their plunge towards bankruptcy, best indicates her world view: “I feel so strongly these days that we have not a great while to stay here and that there is only one thing of real importance to us. To do all the good that we can and leave an irreproachable name behind us” (9 April 1893). The presentation will summarize critical views of Olivia as well as highlight selections from her letters.
Barbara Snedecor directed the Center for Mark Twain Studies and was an Assistant Professor of American Literature at Elmira College. In 2015, she was awarded the Living Heritage Award by the Chemung County Chamber of Commerce. In 2017, she received the Henry Nash Smith Award. She has published novels, personal essays, and poetry as well as Mark Twain in Elmira, Second Edition, and scholarly essays connected with Mark Twain Studies. She currently is preparing a collection of the letters of Olivia Langdon Clemens for publication.
To listen to the lecture, click here.
Wednesday, June 13 at The Park Church 7 p.m.
“Fingerprints and Microbe Time: Mark Twain and Scientific Skepticism” James W. Leonard, The Citadel
It is well known that Twain took contemporary social, political, and particularly racial beliefs to task through an incisive skepticism which outpaced many of his generation. But Twain also understood the role that science and empiricism played in the formation and justification of social projects. Like many of his time, he was thrilled by the explosion of new technologies and systems that characterized the 19th century. For example, we know from his personal writings how excited he was to include Francis Galton’s discovery of fingerprinting in Pudd’nhead Wilson. But even in that excitement, Twain never lost sight of his characteristic skepticism, and a closer look at his literary portrayal of science reveals a visionary’s understanding of how empirical facts- -and the systems organizing those facts–would be increasingly scrutinized as social and political tools in literature of the 20th century.
James W. Leonard recently received his PhD from Tufts University and is currently an adjunct professor of English at The Citadel in Charleston, South Carolina. While much of his research focuses on 20th-century authors (particularly Djuna Barnes, Cormac McCarthy, and Leslie Marmon Silko), he is particularly interested in Mark Twain’s capacity for identifying and articulating complex forms of social critique that would only be popularized years after his death. His current research on Twain looks at his insistence on filtering empiricism through satire.
To listen to the lecture, click here.
Wednesday, May 30 in Cowles Hall on the Elmira College Campus 7 p.m.
“’My penchant for silence’: Mark Twain’s Rhetorical Art of the Unspoken” Ben Click, St. Mary’s College of Maryland
There is no shortage of commentary on Twain’s penchant for talk, how he transliterated and employed it. He perfected the mock oral narrative, precisely rendered of frontier and river vernacular, created the stunning narrative method of Huck Finn’s voice, and crafted countless, repeatable maxims (Ironically, one being: “I talk until I have my audience cowed”). Yet, silence permeates the writings of Mark Twain–for example, there are over 150 references to silence in Adventures of Huckleberry Finn alone! Examining its functions is an overlooked, yet integral, aspect of his writing for silence mediates and influences the discourses of his fictive and personal worlds. Rhetorical theorist Cheryl Glenn argues, “silence—the unspoken—is a rhetorical art that can be as powerful as the spoken or written word” (9). Twain too understood that power: “The unspoken word is capital. We can invest it or we can squander it.” Indeed, Twain crafted the full measure of that art on the page throughout his writing life. This talk examines representative (and powerful) rhetorical uses of silence in the arc of Twain’s fictive writing.
Ben Click is a Professor of English at St. Mary’s College of Maryland, Director of the Writing & Speaking Center, Director of the Twain Lecture Series on American Humor Culture, and the Associate Editor of The Mark Twain Annual. With Larry Howe and Jim Caron, he published Refocusing Chaplin: A Screen Icon in Critical Contexts (Scarecrow, 2013). He has given numerous lectures and scholarly papers on Mark Twain, published articles and book chapters on the teaching of writing and writing assessment. He is also working on a book that examines humor as a rhetorical strategy in environmental writing, a genre that is sometimes seen as taking itself too seriously.
To listen to the lecture, click here.
Wednesday, May 23 in Cowles Hall on the Elmira College Campus 7 p.m.
“An American Cannibal at Home: Comic Diplomacy in Mark Twain’s Hawai’i” Todd Nathan Thompson, Indiana University of Pennsylvania
During and after his 1866 visit to Hawai’i, Mark Twain wrote about the place, its people, and their relationship to the United States in several different genres: newspaper articles, first as a correspondent for the Sacramento Union (1866) and then for other papers, including the New York Herald; a popular lecture titled “Our Fellow Savages of the Sandwich Islands” (1866-1873); two travelogues, Roughing It (1872) and A Tramp Abroad (1880), and an unfinished novel (1884). In my talk I will investigate the comic strategies he employs in these works—particularly self-effacement, satiric levelling, comic foils, physical comedy, and sarcastic irony—to show how Twain leveraged the ambivalence of social humor’s to stoke Americans’ interest in Hawai’i while simultaneously defending Hawaiians from “other”-ing stereotypes that—even as early as 1866—he saw as intimately tied to Americans’ imperialist urges.
Todd Nathan Thompson is Associate Professor of English at Indiana University of Pennsylvania, where he also serves as Assistant Chair of the English Department. He is author of The National Joker: Abraham Lincoln and the Politics of Satire (Southern Illinois University Press, 2015). Thompson’s work on political satire and pre-1900 American literature has also appeared in Scholarly Editing, Early American Literature, ESQ, Nineteenth-Century Prose, Journal of American Culture, Studies in American Humor, Teaching American Literature, the Blackwell Companion to Poetic Genre, and elsewhere. He is currently at work on a new book project entitled Savage Laughter: Nineteenth-Century American Humor and the South Seas.
To listen to the lecture, click here.
Wednesday, May 16 in The Barn at Quarry Farm 7 p.m.
“Raising the Bar: Satirizing Law in Puddn’head Wilson and The Sellout” Rebecca Nisetich, University of Southern Maine
This lecture explores how American writers use satire to expose the ways that “race” operates in our political institutions, social practices, and cultural discourses. In Puddn’head Wilson, Twain shows what happens when legal discourse is taken to its logical extreme. Contemporary novelist Paul Beatty similarly satirizes America’s racial structure and—like Twain—he takes aim at the legal system that support it. Twain’s novel is produced in the legal wrangling leading up to the Plessy v. Ferguson decision; Beatty’s novel responds to the present-day nadir of African American jurisprudence: the 2013 Supreme Court ruling which overturned critical aspects of the 1965 Voting Rights Act, the effect of the subprime lending crisis on African American homeowners, and the spate of “Not Guilty” verdicts in the deaths of African American men. As Twain, Beatty, and others demonstrate, we cannot escape these fundamentally racist legal and social structures until we have created other viable options. As racial satirist Patrice Evans writes, “When we laugh…we are making light, but [we are] also setting the groundwork for raising the bar.” For these American writers, satire becomes a powerful means for undermining racist narratives.
Rebecca Nisetich directs the Honors Program at the University of Southern Maine, where she teaches inter-disciplinary courses on race and identity in the U.S. Her manuscript, Contested Identities, explores characters whose identities are not clearly articulated, defined, or knowable. The project underscores indeterminacy—as opposed to ambiguity or “mixture”—as enabling writers to undermine the “one-drop” conceptions of race that dominated the discourse on race in early twentieth century America. Her essays have appeared in African American Review, Studies in American Naturalism, and elsewhere.
To listen to the lecture, click here.
Wednesday, May 9 in The Barn at Quarry Farm 7 p.m.
“High Style in Mid-Nineteenth Century Elmira: The Architecture and Interiors of the Jervis Langdon Mansion” Walter G. Ritchie, Jr., Independent Scholar
By the 1860s, Jervis Langdon, Mark Twain’s father-in-law, was ready to create a home that announced his status as one of Elmira’s most successful and influential businessmen. After purchasing a house built in the 1850s, he immediately arranged to have it enlarged and remodeled in the fashionable Italianate style. The result was an imposing three-story brownstone mansion that was counted among the largest and most elegant residences in the city. Langdon then commissioned Pottier & Stymus, one of the leading cabinetmaking and decorating firms in New York City, to decorate and furnish a number of the principal rooms on the first floor of the house. After her husband’s death in 1870, Olivia Lewis Langdon continued to patronize the firm, purchasing bedroom suites and other furniture. This lecture will explore the architecture, interiors, and furnishings of the Langdon mansion, sadly destroyed in the 1930s, but well documented by period photographs showing both the exterior and interior. Surviving pieces of furniture made by Pottier & Stymus, now preserved in various museum and university collections, will be discussed to illustrate how the Langdons, through the guidance of the firm, demonstrated their good taste and familiarity with the latest modes in household decoration and furnishing.
Walter G. Ritchie, Jr. is an independent decorative arts scholar and architectural historian specializing in nineteenth-century American architecture, interiors, and furniture. He has written, lectured, and taught courses on a variety of decorative arts subjects, in addition to having served as director and curator of a number of historic house museums. He is currently researching and writing a book on the history, furniture, and interior decoration of Pottier & Stymus.
To listen to the lecture, click here.
Wednesday, March 21 in Cowles Hall on the Elmira College Campus 7 p.m.
“Mark Twain: Travelin’ Man” Ron Powers, Pulitzer Prize-winning journalist, media critic, and New York Times best selling author
Mark Twain’s prodigious travels around his region, then the nation, and then the world, have provided pleasure and scholarly thought for more than a century. Somewhat less appreciated has been the transformative effect his lifelong appetite for exploration (“move–move–Move!”, he wrote in a letter to his family–) produced upon American literature, the legitimacy of common vernacular, and even the nation’s final psychic break with Old Europe. Speaking (mostly) in sentences even shorter than the preceding, I will examine this divine compulsion that hastened America’s literary Declaration of Independence.
Ron Powers is a Pulitzer Prize- and Emmy Award-winning writer and critic. He is the author or co-author of more than a dozen books, including Flags of Our Fathers (2000), a New York Times #1 bestseller. He has written extensively on Mark Twain and his literature, including a biography, Mark Twain: A Life (2005), also a New York Times bestseller. His current book, No One Cares About Crazy People: The Chaos and Heartbreak of Mental Health in America (2017), has been named a finalist for the PEN/E.O Wilson Literary Science Writing Award. It has also been named “Notable Book of the Year” by the Washington Post and one of the Top Ten books of the year by People magazine.
To listen to the lecture, click here.
The “Trouble Begins” Lecture Series is sponsored by the Michael J. Kiskis Memorial Fund. The sole purpose of this fund is to support scholars and scholarship at Quarry Farm. If you are interested in contributing to this fund, please contact Dr. Joseph Lemak at [email protected]
The “Trouble Begins” Lecture Series is also made possible by the support of the Mark Twain Foundation and the Friends of the Center.
ABOUT THE “TROUBLE BEGINS” SERIES
In 1985, the Elmira College Center for Mark Twain Studies inaugurated The Trouble Begins at Eight lecture series. The title comes from a handbill advertising Mark Twain’s October 2, 1866 lecture presented at Maguire’s Academy of Music in San Francisco.
The lectures are now held in the Fall and Spring of each year, in the barn at Quarry Farm or at Peterson Chapel in Cowles Hall on Elmira College’s campus. All lectures are free and open to the public.
Quarry Farm Barn
The barn at Quarry Farm has been repurposed and modified as lecture venue.
Directions to Quarry Farm for local attendees:
From Elmira College, head east on Washington across the Clemens Center Parkway to Sullivan Street. Turn right on Sullivan. Turn left on East Avenue. Turn left on Crane Road. Quarry Farm will appear on your left. Please park on the grassy area behind the Barn. Quarry Farm is a fragile, natural environment. Please exercise care.
If using a GPS, enter: 131 Crane Road, Elmira, NY 14901.
Peterson Chapel in Historic Cowles Hall
Lectures may also be held in Peterson Chapel in Elmira College’s Cowles Hall. The chapel features a series of stained glass windows depicted the history and traditions of the college, including one of Twain in front of his study and one of his wife, Elmira College alumnus Olivia Clemens, on front of the porch at Quarry Farm. There is also a Mark Twain Exhibit in Cowles Hall.
Directions to Peterson Chapel for local attendees:
The address of Elmira College is 1 Park Place, Elmira, NY 14901. Cowles Hall is on the east side of Park Place, behind the Fasset Commons Art building on Washington Avenue. In front of Cowles Hall is a small man-made pond known as “The Puddle” and the Mark Twain Study. Parking may be found off of North Main Street, at the north east corner of campus.