Jarrod Roark discusses how he became interested in the peculiarities of Twain’s Western writings.
Mark Twain was an immensely popular author. Based on this apparent truth, it has been convenient to regard him as populist as well. Contemporaneous critics dismissed him as “merely a humorist,” a characterization which he clearly internalized. Even those who praise his literary style often, like his friend William Dean Howells, invoke the slightly backhanded adjective natural. “Mr. Clemens is the first writer to use in extended writings the fashion we […]
Samuel L. Clemens pioneered a modern understanding of the new information economy emerging in the U.S. in the years after the Civil War because he understood and marketed Mark Twain as a brand-name comic commodity. Judith Yaross Lee explains how Clemens managed the Mark Twain brand by extending it to some activities, excluding it from others, and exploiting its modern conception of the self in his public performances. Judith […]